VT Proxy Editor™
Enterprise-wide low-resolution editing, browsing, and asset
management is made easy and affordable with VT Proxy
Editor running standalone or embedded inside newsroom
automation software.
Key Features:
- Proxy Editor with Enhanced Editor Interface with Multi-Track
Timelines
- Independent Track Editing Allows Audio and Video to Slip
and Slide
- Record Voiceovers Direct to Timeline with Proxy Playback
- Larger, Scalable Program Proxy Monitor
- Frame Accurate with SMPTE Source Timecode and Smooth Clip
Scrubbing
Read
about VT Proxy Editor and PathFire at
KOTA
Cost-Effective Network Editing
The VT Proxy Editor application provides frame accurate
low-resolution “desktop” editing functionality
for all users on the network within five seconds after
an SDI record process begins. Standard Ethernet connections
make it affordable to have every user on the network
simultaneously participate in the collaborative editing
process. Create simple “cuts only” packages
or multi-track “rough cut” edit decision
lists (EDLs) using the intuitive timeline interface.
These timeline sequences are instantly available for
playout and are conformed dynamically as they play
to air. Users can create instant replays and highlight
packages before a recording is even completed! Optionally,
users can render these sequences as flattened new media
files on the server or export them as AAF EDL files
to be completed in an online “finishing” nonlinear
editor like Adobe Premiere Pro or Final Cut Pro.
VT Proxy Editor is ideal for:
- Newsroom/Highlight Editing with Instant Playout
- Ingest Feed Trimming and Management
- Rough Cut EDL with AAF Export to Finishing NLE
Increase Productivity Newsroom
Use the VT Proxy Editor standalone or embedded within
a newsroom computer system (NRCS) program such as Avid
iNEWS or Associated Press ENPS. Producers can use the
REQUEST CLIP feature to create Clip IDs with metadata
before they exist. This metadata follows the media
through the entire ingest, edit, and playout process.
This centralized approach to production ensures that
everyone is always aware of the current status as deadlines
approach. Once the media is completed and approved,
the media status changes to READY and the Clip ID is
automatically added to the MOS PlayList.
Desktop Audio Voice-Overs
Other features include direct to timeline audio voiceover
capability with audio mixing. Now journalists can sit
with a microphone and record a voiceover directly to
the timeline while watching the low-res proxy. From
their desktops, users are able to add audio transitions
and direct timeline voiceover recording without tying
up an editor’s workstation. With independent
track editing, audio and video can slip and slide for
realtime effects.
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